Hello, I’m David.

I’m a production designer. For most of my career that has meant film and television: drama interiors, studio sets for entertainment shows, the occasional impossible build with a three-week deadline.

Over the last few years more and more of my work has moved into live-streamed studios — game-show sets, wheel stages and table studios that broadcast around the clock. They are a fascinating design problem. The set has to look the same at every hour, survive constant use, house the equipment that records every result, and still read clearly on a phone held at arm’s length.

I write Behind the live studio to explain that work to the people who watch it: why the light looks the way it does, how a wheel is designed for a small screen, how a round turns into a number. I keep the articles general on purpose. Studios are commercial projects with their own confidentiality rules, and none of this is written on behalf of any game provider or casino.

Why I built TrackSpins

Working on these studios made me curious about the other end of the chain: what the results actually look like over thousands of rounds. Most sites only show the last day and wrap it in “hot tips”. I wanted something plainer and more honest, so I built TrackSpins. It records every round of the tracked live tables, keeps the full history and shows how often each result really appears — with its methodology and its data gaps in the open.

TrackSpins does not take bets and does not predict anything. Every round is random; a long wait does not make a result more likely. If you play, play for fun and within limits — help is available if it stops being fun.

Working with me

I take on studio and set design projects for television and live-streamed productions. The best way to reach me is the contact page.